What's it like to pull an all-nighter with 80,000 of your closest friends? What happens when you try to drive a hot dog through that same crowd? Can you say "Cheesecake!" like you're pissed? Will the band play an encore?
In episode 4, we answer these questions and more. We also explore the lasting impressions of the legendary midnight-to-sunrise experience.
After Midnight is produced by Osiris Media. Executive Producers are RJ Bee and Tom Marshall. After Midnight was Produced, Edited and Mixed by Matt Dwyer. Written and narrated by Jesse Jarnow. Produced by Jefferson Waful. Music by Amar Sastry. Production assistance from Christina Collins. Art by Mark Dowd. Thanks to Phish, Red Light Management, and to all interviewees. And a special thanks to all the fans who sent stories, photos, and memories. Until next time...
If you liked this blog post, one way you could "like" it is to make a donation to The Mockingbird Foundation, the sponsor of Phish.net. Support music education for children, and you just might change the world.
You must be logged in to post a comment.
March 27, 1993
25 years ago
Set 2: Buried Alive > Halley's Comet > It's Ice > Bouncing Around the Room, Chalk Dust Torture, The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into Yesterday > Mike's Song > I Am Hydrogen > Weekapaug Groove, Hold Your Head Up > Cracklin' Rosie > Hold Your Head Up, Poor Heart > Golgi Apparatus
 Beginning featured Trey on acoustic guitar.
 Fish on trombone.
 All Fall Down signal in intro.
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed just about $1,500,000 to support music education for children – hundreds of grants in all 50 states, with more on the way.