Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by MikeinAustin
Phish seems to like the town and have had some very above average shows here. See '98 show for a lot of fun at Southpark Meadows.
I wouldn't say that any of these songs had memorable jams at all (I did like the direction Harry Hood was going) but rather it was an exercise in showing what they were doing in the "off" season. Getting it all pulled together.
The show was very tight. Surprisingly tight. Trey has seemed to put away the Whammy pedal, and his tone is near perfect again. His ability to bend the high register strings, and hold down the pitch is right there. Mike and Page seem to be locked together with Page having some new amazing dexterity during Suzy Greenberg. The ability for them all to listen to each other is fantastic. It bodes well for the rest of fall.