Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
First, it's a touchstone for me personally because the Dead were my first love, and while my love for Phish is different it's still similar in many ways.
Second, Phish has definitely drifted to a format much closer to the Dead's "tired old format" where first sets are mostly comprised of blues idiom or Americana idiom songs that don't stray far from form in performance and are adorned with solos rather than exploratory jams, and where second sets feature more challenging material and long stretches of improv. The "3rd quarter" at Phish shows are now where you can almost always expect to hear the band's big jam vehicles, just as it was with the Dead, and there's often a "breather song" or a ballad tucked into the late middle of the set, followed by a few danceable rockers to close.
I'm not saying it's a conscious decision on Phish's part or even that it's a strict template, but you can't deny it's gravitated that way over time.