Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
first off amazing show last night, really thought they killed it
But I found this one segment pretty strange. After that awesome C&P jam Fish and Mike had made a buttery smooth transition -> Roggae. Seems like they had been playing the drums/bass for roggae for at least a minute or two and were waiting on Trey to come in with the opening chords. Fish had even saddled up to his mic and was ready to sing his opening verse
Trey seemed like he was just playing a cool roggae intro and I kept waiting for him to drop into the opening chords. Then all the sudden he starts the chords to twist, and it was really jarring as fish had to pretty much stop playing roggae and get on board for twist. Pretty priceless look on Fish's face. Something similar happened 3rd night Chicago out of the Light Jam when Fish/Mike had found their way to Timber, but Trey never got on board and started up Harry Hood instead
Anyone else notice this? The only thing I can think of is that maybe they hadn't rehearsed those songs yet and Trey wasn't comfortable winging it. Not trying to nitpick as last night was an amazing show, but that C&P -> Roggae was setting up to be the smoothest segue of the summer. Also, I f***ing LOVE roggae