Setlists Matching Performer: Ray Paczkowski


This show was webcast via LivePhish and featured the first full TAB performance of Party Time (this had been previously played by the TAB trio in 2018). Sultans of Swing had lyric changes to reference New Orleans and Saturday night.

Somewhere Over the Rainbow was performed a cappella. Strange Design and Brian and Robert were performed by Trey solo acoustic. Cyro Baptista, who was part of Trey's band for this tour, missed the show because of the flu.

Soundcheck: Spin, Shade, I'm Down, Back In The U.S.A. (x2), A Life Beyond The Dream (x2), Sigma Oasis, Set Your Soul Free, I'm Down, Rise / Come Together (this soundcheck is possibly incomplete)

SET 1: I'm Down [1], Set Your Soul Free, Sidewalks of San Francisco, Undermind, Drifting, Olivia, Blaze On, Camel Walk, Love Is What We Are[1], Money, Love and Change

SET 2: Sigma Oasis[1], Night Speaks to a Woman, About to Run, Valentine, Alaska, Shade, Gotta Jibboo, Clint Eastwood > Simple Twist Up Dave

ENCORE: Ether Sunday, Shine, Show of Life


This show featured the TAB debuts of I'm Down, Love Is What We Are, and Sigma Oasis. I'm Down and Blaze On had lyric changes referencing Trey being rescued during Phish's New Year's Eve show on December 31, 2019. After the soundcheck's second I'm Down, Trey sang a bit of Blaze On solo and referenced flat-earthers, rescue deniers, and a frying pan. Tony then teased Burlap Sack and Pumps.

This performance was part of LOCKN’ Festival. The second set and encore featured Derek Trucks on guitar. A Life Beyond The Dream and Rise/Come Together featured Susan Tedeschi on vocals. Brief Time and More were performed acoustic with only Trey and Derek on stage.

This show featured the TAB debut of The Green Truth. Summer of '89 was performed by Trey solo acoustic and dedicated to his wife Sue on their 25th wedding anniversary.

This show featured the TAB debut of Sightless Escape. Strange Design and Mountains in the Mist were performed by Trey solo acoustic.

This show was webcast via Live Phish and featured the TAB debut of Friend. Brian and Robert and More were performed by Trey solo acoustic.

This performance was preceded by the world premiere of the Between Me and My Mind documentary. More was performed by Trey solo acoustic. Heavy Things and Blaze On featured Page on keys.

This show was the first performance of Trey's Ghosts in the Forest project. All songs were debuts except for Ruby Waves, which was performed for the first time since October 19, 2008. Intro was a prerecorded piano intro played over the PA. Wider contained a When The Saints Go Marching In tease from Trey.

SET 1: Slide B [1], Miss Miriam [2], Rocket[2], Mimi[2], Whassat[2], The Story[2], Bernard [3], Take My Hand[3], Elsie's River[3], Allah Uya[2], Tango[2]

ENCORE: Influence[3]


Trey sat in for the entire show. Cyro Baptista was on percussion for Miss Miriam through the encore and James Casey appeared on saxophone for Bernard through Elsie's River and Influence.

This performance took place on the Stoke Stage and featured Ray Paczkowski on keys. Waste and More were performed by Trey solo acoustic.

This show featured Ray Paczkowski on keys. Waste through More were performed by Trey solo acoustic.

This show featured Ray Paczkowski on keys. Waste, Strange Design, and More were performed by Trey solo acoustic.

This performance was part of "A Concert for Island Relief" and also featured Dave Matthews, Aaron Neville, and Hurray For The Riff Raff. Proceeds from the event benefited hurricane relief efforts in the U.S. and British Virgin Islands and Puerto Rico.

This performance was part of "A Concert for Island Relief" and also featured Trey Anastasio Band, Aaron Neville, and Hurray For The Riff Raff. Proceeds from the event benefited hurricane relief efforts in the U.S. and British Virgin Islands and Puerto Rico. Waste featured Trey on acoustic guitar. The Maker featured Trey Anastasio Band, Aaron Neville, and Rashawn Ross on trumpet. Brother John/Iko Iko and I Want to Take You Higher featured Trey Anastasio Band, Aaron Neville, Ben The Sax Guy, and Rashawn Ross on trumpet. Brother John/Iko Iko also contained Do You Want to Dance lyrics.

This performance was part of Christmas Jam and was webcast via nugs.tv. Aqui Como Alla was performed for the first time since July 27, 2001.

This performance was part of the Grand Point North festival.  "First Tube" featured Page on keys. Trey was joined by Mike on bass and Grace Potter on vocals for "Water in the Sky." "Push On 'Til the Day" featured Dave Grippo on saxophone.

This performance was part of Summer Camp Music Festival and took place on the Sunshine Stage. This show featured the TAB debut of Midnight Rider. Money, Love and Change contained a San-Ho-Zay tease. 

This performance took place at DelFest and was on the Grandstand Stage. "I'm Blue, I'm Lonesome" and "Beauty of My Dreams" featured Del McCoury on guitar, Rob McCoury on banjo, and Ronnie McCoury on mandolin.

This show featured the TAB debuts of "On the Road Again" and "Work Song" (Hozier). The horns teased "Happy Birthday" in "On the Road Again," which was peformed on Willie Nelson's birthday. Trey teased "On the Road Again" in "Gotta Jibboo." In the soundcheck, Trey teased "Rocky Mountain Way" before "Speak To Me" and "Iron Man" before "Come Together."

This performance was part of the Peach Music Festival. The first set "Sand" was aborted shortly after it began due to a major storm that was in the area. Set two began with "Sand" started at the beginning of the song.

SET 1: The Song


Trey Anastasio Band was the musical guest on Conan. The episode first aired on November 18, 2015.

During "The Devil Went Down to Georgia," Trey played his guitar with a violin from a fan dressed as the devil. This show featured the TAB debut of "Enjoy Yourself" (Guy Lombardo).  "MacArthur Park" included showgirls on the stage.

"Never" was performed for the first time since November 8, 2005 and featured a new full-band arrangement. This show featured the debut of "Invisible Knife." "The Merry-Go-Round Broke Down" was teased during the band intros at the end of "Clint Eastwood."

No known setlist


Trey sat in on guitar for the entirety of each of the two (early and late) shows.

This show was part of the Lockn' Festival, an "Interlocking" music festival where several acts performed full sets with special guests. TAB was added to the festival at the last minute when Neil Young and Crazy Horse were forced to cancel their appearance due guitarist Frank "Poncho" Sampedro's hand injury.

This show was part of the Summer Camp Music Festival and took place on the Sunshine Stage. The show was cut short due to inclement weather.

This show was part of DelFest. Before "I'm Blue, I'm Lonesme," Trey related a story about his travels in the early 90s with Col. Bruce Hampton & ARU, about how the ARU mandolin player, Matt Mundy, had turned Phish on to Blue Side of Town by Del McCoury, and how that then became a staple of road music in Phish's van. Trey then noted Del's appearance at Phish's 1999 Oswego festival, and how excited he was to now be playing at Del's festival. "I'm Blue, I'm Lonesome" and "Beauty of My Dreams" featured guests Del McCoury, Ronnie McCoury, Jason Carter, and Rob McCoury. "Heavy Things" and "Black Dog" featured Ronnie McCoury, Jason Carter, and Rob McCoury.

Former TAB member, Jeff Cressman (father of current band member, Natalie Cressman), sat in on trombone for "Mozambique."

Trey performed "Wilson" solo, acoustic. Before "Wilson" Trey shared asked the audience to push for "Wilson" to be played at Seahawks games everytime Russell Wilson steps on the field ("For thirty we’ve been waiting for someone with the name 'Wilson' to be a sports star.").

This was the rescheduled date from the show that had been postponed due to Hurricane Sandy on October 28, 2012. This show was webcast via LivePhish.com. "Alive Again" contained a "Manteca" tease. "Sweet and Dandy" was performed at the request of someone in the front row. "Streets of Cairo" was teased before "Sand." "Flock of Words" and "Heavy Things" featured Trey on acoustic guitar. Trey acknowledged Mary from the "Heavy Things" lyric, who was in the crowd that evening and pointed out that Vanessa was a real person too, saying "We're all real people!"

SET 1: O-o-h Child


Trey and his band were the guests on Late Night with Jimmy Fallon. As the taping took place the day after Hurricane Sandy hit the New York area, rather than play a track in support of his most recent release Traveler, Trey opted for the uplifting "O-o-h Child."

No known setlist


Due to Hurricane Sandy, this show was originally postponed until November 5, 2012, which was also subsequently cancelled due to the continued aftereffects of the storm. A short January tour was then scheduled that included two dates at the Capitol Theatre on January 23-24, 2013, presumably to make up for the prior cancellations.

Heavy Things was performed acoustic. The Percussion Parade saw Trey lead the band playing cowbell through the audience, through the lobby, out onto the street (Broadway), and around the corner where they returned through the side stage door.

Fish sat in on drums for the songs listed above, other than the last three songs of the first set. This show, which was a benefit for The Vermont New Farmer Project, was a tribute to the upsoming 50th anniversary of the Rolling Stones. Other musicians included Russ Lawton, Ray Paczkowski, Ryan Miller, Bob Wagner, Joshua Panda, Clint Bierman, Peter Day, Steve Hadeka, Matt Hagen, Mike Clifford, Kat Wright, Christina Durfee and Nicole Nelson.

SET 1: Up On Cripple Creek, Down South in New Orleans, Further On Up the Road, Stage Fright, Who Do You Love, Rag Mama Rag, It Makes No Difference, Ophelia, Evangeline, Helpless, Wide River to Cross, Life is a Carnival [1], Don't Do It[1], Caravan[1], The Shape I'm In[1], Forever Young[1], The Night They Drove Old Dixie Down[1], Baby Let Me Follow You Down[1], The Weight[1]

ENCORE: King Harvest (Has Surely Come)[1], I Shall Be Released[1]


This gig was a benefit for NOFA VT's Farmer Emergency Fund, featuring the 'Hug Your Farmer House Band' - Bob Wagner (guitar), Clint Bierman (guitar), Peter Day (bass), Ray Paczkowski (keys), Ron Rost (keys), Steve Hadeka (drums), Chris Peterman (tenor sax), Adam Dotson (trombone), Dave Grippo (alto sax), Luke LaPlant (baritone sax) and Steven Bernstein (trumpet). Fish sat in from "Life is a Carnival" through the end of the show. "Stage Fright" featured Anders Parker on lead vocals. "Who Do You Love?" featured Matt Hagen and Mike Clifford on lead vocals. "Ophelia" and "Helpless" Will Evans on lead vocals. "Evangeline" featured Marie Claire on lead vocals. "Life is a Carnival," Don't Do It," "Caravan" and "Baby Let Me Follow You Down" featured Josh Panda on lead vocals. "The Night They Drove Old Dixie Down" featured Ryan Miller on lead vocals.  All of the guest musicians joined in for the "I Shall Be Released" finale. Vermont Governor Peter Shumlin delivered some remarks prior to "Stage Firght."

This headlining performance was part of the Bear Creek Music Festival that also featured The Funky Meters, MSM&W, The New Mastersounds, Marco Benevento and Dumpstaphunk among many others. Before "Sand" Trey introduced Tony Markellis and told the story of how they met ("I don't know if I've ever told this story" – he's told it dozens of times), and of how Trey, Tony and Russ Lawton wrote "First Tube," "Last Tube" and "Sand" on the first day they ever practiced together.

Before "Burn That Bridge" Trey joked that he wanted to say how genuinely happy he was to be playing here, without sounding like "Hello, Springton!" (from The Simpsons via Spinal Tap). This show marked the debut of "Frost" that Trey noted had been written by himself and Tom Marshall about a week previous.

This show was "A Vermont Flood Relief Benefit with Trey Anastasio Band.” This gig featured the debut of "Snake Head Thumb" (Anastasio/Pollak) and "Winterqueen" (Anastasio/Marshall). Before "Snake Head Thumb" Trey mentioned that the first TAB show (8 Foot Florescent Tubes, 4/17/98, at the old Winooski location) was only the second show ever at Higher Ground, and since they had been playing there for thirteen years the next song would have a "13-year-long jam."

Trey performed "NICU" through "Bathtub Gin" solo acoustic. "Let Me Lie" featured Trey on acoustic with Jen and Natalie on backing vocals. "Heavy Things" through "Hey Ya!" saw Trey on acoustic with full TAB; the balance of the gig was full electric TAB. Trey played "Strange Design" in honor of the end of the tour and for his excitement to be going home to see his daughters the next morning.

Trey performed "Chalk Dust" through "Wilson" solo acoustic. "Heavy Things" and "Liquid Time" featured Trey on acoustic with full TAB; the balance of the show was full electric TAB. Before "Theme," Trey talked about all four members of Phish living in an apartment off Vine near The Viper Room while recording Hoist "in 1989"; the audience corrected him (repeatedly) that this was in 1994, not 1989. After "Theme" Trey expressed further confusion by suggesting that Rift was released in 1996 instead of 1993. "Dragonfly" was played by request "because you guys have been yelling for it all night."

The first set was Trey solo acoustic except "Wading" (Trey acoustic with Jen and Natalie), "Stealing Time" (Trey acoustic with Jen, Natalie, and Russ Remmington), "Hey Ya!" (Trey acoustic with full TAB), and "Push On" (electric TAB).

Trey performed "Farmhouse" through "Strange Design" solo acoustic. "Lawn Boy" featured Trey on acoustic with Russell and Tony; "Let Me Lie" featured Trey on acoustic with Jen and Natalie on backing vocals. "Heavy Things" and "Liquid Time" featured Trey on acoustic with full TAB; the balance of the show was full electric TAB. After "Farmhouse" Trey noted that it was great to be in Denver, where if he wanted any nugs he could just go a few doors down the block and buy some. "Timber (Jerry)" was a Trey debut. Before the Trey debut of "Tube" Trey told the story of the common origin of "Tube" and "Gumbo:" he and Fish were roomates in 1985, where Fish would leave his personal journals around the house; Trey would read them when Fish was away and write songs to them. Before "Gumbo" Trey told of Fishman's wheatgrass obsession and his "wheatgrass enema."

The first set was Trey solo acoustic except “Let Me Lie” through “Wading” (Trey acoustic with Jen and Natalie) “Heavy Things” through “Hey Ya! (Trey acoustic with full TAB), and “Push On” (electric TAB). “Wading” was dedicated to Tom Marshall.

"Sample in a Jar" through "Backwards Down the Number Line" were solo acoustic by Trey. "Hey Ya!" was performed acoustic by Trey with the rest of TAB joining him.

"Backwards Down the Number Line" through "Down with Disease" were performed solo acoustic by Trey. "Heavy Things" through "Let Me Lie" were peformed acoustic by Trey with the rest of TAB joining him.

The first set was Trey solo acoustic excepting “Lawn Boy” (with Russ Remington on tenor sax and Tony on bass), “Liquid Time,” “Heavy Things” and “Hey Ya” (full TAB with Trey on acoustic). The second set and encore was electric TAB. “Wilson” contained “a shout out to the King of Prussia Mall, the greatest mall in the northeast.” “Twenty Years Later” was a TAB debut.

The first set was Trey solo acoustic excepting “Wading” (with Jen and Natalie), “Heavy Things, “Peggy” and “Hey Ya” (full TAB with Trey on acoustic). The second set and encore was electric TAB. “Down with Disease,” “Meatstick,” “My Problem Right There” and the cover of Jay-Z’s “Empire State of Mind” were all TAB debuts. “Camel Walk” was dedicated to Fishman, included a “going downtown to Morocco” alternate lyric and was noted to be “the shortest version of that song ever.” “Cavern” included the alternate “bitch” / “dung” lyrics. “Jibboo” included a “Streets of Cairo” tease. After “Burn That Bridge” Trey noted the song's co-author, Amanda Green, and the "Hands on a Hard Body" play for which the song was written.

The first set was Trey solo acoustic excepting “Lawn Boy” (with Russ Remington on tenor sax and Tony on bass), “Let Me Lie” and “Hey Ya” (full TAB with Trey on acoustic). The second set and encore was electric TAB. After “PYITE” Trey noted that he liked the room, even better than “the one across the street” (Boston’s House of Blues is directly across the street from Fenway Park). “Strange Design” was dedicated to Trey’s wife, Sue, and eldest daughter, Eliza, who were both in attendance; the song itself was stopped and re-started.  “Carini” and “Shine a Light” were TAB debuts. “Lawn Boy” was dedicated to Kris Kristofferson, Page, and Janis Joplin.

The first set was Trey solo acoustic excepting “Wading” (with Jen and Natalie), “Black” (with Jen, Natalie and Ray), “Valentine” and “Devil Went Down to Georgia” (full TAB with Trey on acoustic). The second set and encore was electric TAB. Before “Number Line” Trey noted that the song was written “right down the road from here.” After “Limb By Limb” Trey offered that the line “Tossed with the salad and bailed with the hay” was his all-time favorite Tom Marshall lyric. “Guelah Papyrus,” “Halley’s Comet” and “Ocelot” were all Trey solo debuts. There was a brief P.A. drop-out at the beginning of “Done Done It.” The cover of Gorillaz’ “Clint Eastwood” was a TAB debut. “Windora Bug” contained alternate lyrics about bumblebees and Batman.

The first set was Trey solo acoustic excepting “Water in the Sky” (with Jen and Natalie), “Spin” (with Jen, Natalie and Ray), “Liquid Time” and “Hey Ya” (full TAB with Trey on acoustic). The second set and encore was electric TAB. “Theme,” “Cavern,” “Gumbo”  and the cover of OutKast’s “Hey Ya!” were all TAB debuts. After “Kill Devil Falls” Trey told a story about the old Tree Café venue in Portland and how the back cover photo of Fishman on the vinyl Lawn Boy was taken backstage there.

No known setlist


This was a benefit show with proceed going to Pete's Greens. The farm, managed by Amy Skelton, had a barn burned down in a fire the previous month.

This single set performance headlined the inaugural Hangout Music Festival that also featured Ben Harper, The Roots, and the Funky Meters. This show featured the debuts of the Trey and Amanda Green original  “Burn That Bridge” and the Trey and Tom Marshall original “Sailboat Man.”

Trey performed “Water in the Sky” through “Wilson” solo acoustic. “Windora Bug” featured an alternate “Trey or a Ray” lyric. Excerpts from this show were released as TAB at the TAB.

“Number Line” and “Wilson” were performed solo acoustic. “I’m Blue I’m Lonesome” and “Beauty of My Dreams” were performed by Trey and the Del McCoury Band; the rest of Trey’s band joined for “Foggy Mountain Special.” “I’m Blue I’m Lonesome” and “Foggy Mountain Special” were TAB debuts.

Trey performed “Joy” (a Trey debut) through “Chalk Dust” solo acoustic.

After “Shine” Trey wished the audience a Happy Valentines Day, and noted that this was the twenty-first anniversary of his first date with his “Freehold sweetie,” his wife, Sue Statesir Anastasio, who was in attendance. Dedicating “Drifting” to Sue, he noted that the song was written about her at their Vermont home. The venue’s fire alarm was tripped during “Sand,” the P.A. was cut and the house lights came on. The horns continued the “Sand” jam led by Trey on wood blocks, eventually giving way to an impromptu “Percussion Parade” through the audience with a detour through the lobby.

Trey dedicated “Mozambique” to Annie, Natalie Cressman’s 93-year-old great grandmother, who was in the audience. Trey also dedicated “Show of Life” to the song’s co-author, Steve Pollak (The Dude of Life), who was also in attendance.

The debut of Trey and Tom Marshall’s “Obstacle of Course” was dedicated to Tom and his daughter, Anna, both of whom were in attendance.

This show was a benefit for the Kristine Anastasio Manning Memorial Fund. This gig featured the debuts of “Liquid Time,” “All That Almost Was,” “The Birdwatcher,” and “Show of Life.” Trey explained that “All That Almost Was” and “Show of Life” were collaborations with the Dude of Life that were written over the course of a sushi lunch on Trey’s iPhone FourTrack app. “At the Gazebo” was dedicated to everyone affected by cancer and the spirit of Kristy.

Before “Water in the Sky” Trey referenced the upcoming Phish Hampton reunion shows, saying he was going to take his tent to the parking lot and camp out until March. Trey preformed “Water in the Sky” through “Sample” solo acoustic. “Burlap Sack” was played “for all the women... we don’t care what you’re wearing, as long as you have nice shoes.”

“Cayman Review” contained a “Streets of Cairo” tease from Trey. After “Drifting,” the audience began chanting “Let’s go, Phillies” (this show took place on an off-day between Games 2 and 3 of the 2008 World Series) leading to a “Charge!” tease from Ray at the beginning of the ensuing “Jibboo.”

Trey performed “Sample,” Wilson” and “Bathtub Gin” solo acoustic. During “Gin” Trey took a break to note that Mike had been texting him from the hospital and that Mike’s wife, Sue was giving birth (to their first daughter, Tessa) “at that very moment.” Since she was not yet named, Trey dedicated the song to “Dave Human.”

Trey performed Water in the Sky through Back on the Train solo acoustic. First Tube featured Scott Murawski on guitar, Oteil Burbridge on bass, and Bill Kreutzmann on drums.

This show was a benefit for the Seven Below Arts Initiative (which Trey mentioned at the end of the first set). “Sweet Dreams Melinda” was played at Tony’s request. This show featured the debut of “Ruby Waves.” “Moesha” was played by request, though Trey warned the crowd that he hadn’t played the song in five years and didn’t know all the words but would “make them up and then you guys can go on the internet and rag on me.”

After “Peggy” Trey made reference to his “legal entanglements” and said that he had to move to the Albany area as a result. He told the audience that if they heard any new songs they “could damn well bet they were written in your backyard.” “Cayman Review” was introduced as “a really old one.” Trey performed “Brian and Robert” through “Gin” solo acoustic. 

After “Alaska,” referencing the then recently introduced GOP Vice Presidential candidate Sarah Palin, Trey noted that he wrote the song before she came along, and “to be clear I did not have sex with that woman.” Trey performed “Brian and Robert” and “Chalk Dust Torture” solo acoustic.

This single set performance was part of the Langerado Music Festival that also featured moe., Widespread Panic, My Morning Jacket and The New Pornographers, among many others. “Mud City” featured Ivan Neville on keyboards.

This gig was part of the late-night series of the Langerado Music Festival. “Mr. Completely” featured an extended percussion jam.

This show featured the TAB debuts of “Auld Lang Syne” and “Wanna Be Startin’ Somethin’” (Michael Jackson). “Wanna Be Startin’ Somethin’” was incomplete. This atypical version of “Jibboo” included a brief vocal jam and a jam featuring only Trey and Ray. After the second set, Trey announced that they were going to be releasing a live album from the recent shows (Original Boardwalk Style) and that before the third set they would be taking photos of the band and the crowd for inclusion in the album art. Trey performed all of the encore songs solo acoustic. The keyword for “Makisupa” was “Whitehall,” referencing Trey’s infamous drug bust that occurred a few weeks earlier in Whitehall, NY.

“The Way I Feel” contained an “Auld Lang Syne” tease and a vocal jam with Trey on Cyro's talk box. During “The Way I Feel,” Cyro took a solo on “the evil nitrous tank,” prompting Trey to advise, “they're not good for anything else; never use them for anything else.” Before “Alumni” Trey told the audience, “Don't forget, bet on 17 and everything will go your way.” Trey sang the “Because I’ve got a degree” lyric from “Alumni” through his megaphone.

This show featured the TAB debut of “Peaches en Regalia.” “Gotta Jibboo” contained “Streets of Cairo” teases.  “Last Tube” culminated in a brief “2001” jam. “Push On” included an “Oye Como Va” tease.

“Sand” included a “Streets of Cairo” tease. “Alumni” contained the alternate lyric “I'm gonna take this warrant and slice you in the eye.” Also during “Alumni,” Trey used Cyro's talk box for the “‘Cause I got a degree” lyric.  “Sex Machine” was a TAB debut. At the beginning of the “Percussion Parade” Trey said "Put it together for James Brown right now!" “Push On” included a James Brown-inspired funk jam.  “Sweet Dreams Melinda” included a brief vocal jam which contained a “Macarena” quote from Trey.

During the intro to “Cincinnati” Trey indicated that the song was written for five horns, and that since they were missing the flute player that he would whistle the flute parts. After the extended, multi-part jam out of “Mud City” that included an extended vocal riff on the word “someday,” Trey offered that he ‘had no clue what that song was about.” Trey performed ”The Inlaw Josie Wales,” “Invisible” and “Love That Breaks All Lines” solo acoustic. After “Jibboo” Trey noted that they were over the venue curfew but he wanted to keep playing anyway; they did so, for almost another half hour.

“Dragonfly” contained a “Can’t You Hear Me Knocking” jam. Trey sang a line of “Close to the Edge” (Yes) prior to the start of the second set. Trey changed the lyrics to “Mud City” to reference Paulie Walnuts. “Low” and “Push On” contained “Third Stone From the Sun” (Jimi Hendrix) teases from Trey.

Trey performed Wilson” solo acoustic in response to the audience chanting “Wilson” prior to the second set. “Voodoo Child” and “Barracuda” (Heart, a TAB debut) were both incomplete.

Trey performed “Sleep” though “Waste” solo acoustic, including the TAB debut of “Camel Walk.” “Low” included “Can’t You Hear Me Knocking” teases. "Cincinnati" was performed without the introduction and and contained "Who Are You" teases from Trey.

Before “Push On,” Trey noted that his friend Mary (from the song) was in the audience. “Heavy Things” was also played for Mary, as it too is about her. In keeping with the “Mary” theme, Trey repeatedly teased “Mary Had a Little Lamb” before “Heavy Things.”

“Bar 17,” “Mud City” and “Push On” featured Fernando Castillo on trumpet, Carlos Sosa on saxophone, Raul Vallejo on trombone, Ivan Neville on organ and Russell Remington on saxophone.  “Plasma” also featured Russell Remington. During the set-closing “Mud City,” each of the band members were introduced and took a subsequent solo.

This late-night gig (10:30p ticket time) was part of the "Vegoose at Night" series. Robert Randolph and the Family Band opened. Robert Randolph sat in on pedal steel guitar for "Stone Free" and "46 Days," the latter also featuring Jason Crosby on keyboards. At several points throughout the show Trey again reminded us to "bet it all on 17!"

This show featured the TAB debut of The Jimi Hendrix Experience’s “Stone Free.” Towards the end of “Sand,” Trey introduced the band members and gave shout outs to several others both in attendance and not.

Skeeto Valdez sat in on drums for "Come As Melody." Trey performed "The Inlaw Josie Wales" through "Chalk Dust Torture" solo acoustic. "Wilson" was dedicated to then-University of Michigan quarterback Chad Henne, who had attended Wilson High School. This setlist is unconfirmed as recordings of the performance do not circulate.

“The Inlaw Josie Wales” through “Back on the Train” were performed solo, acoustic. “Cincinnati” was played as an early birthday present for Christina and featured Al Osborne on vocals.

After “Push On” Trey introduced drummer Jeff Sipe and dedicated “Goodbye Head” to Jeff’s children, who were in attendance. Trey performed “Sample” through “Hood” solo acoustic. Before “Hood” Trey playfully asked the crowd if they’d forgive him if he’d try the song they were asking for “as long as you don’t throw a bottle of beer at me if I mess up.” After “Hood” Trey offered a shout-out to Salsa’s, a nearby Mexican restaurant and a tribute to all the great shows he had performed in Asheville. This gig featured the debut of "Words to Wanda."

Before “Mud City” Trey mockingly introduced “Ashlee Simpson” and “Milli Vanilli.” “Mud City” then included an “I Want to Take You Higher” jam.

Mike joined TAB for "46 Days" through the end of the show.  At times, the jam preceding "First Tube" featured Trey on organ and Mike on lead guitar.

This two-night run at Webster Hall doubled as the record release party for Bar 17.  "Bar 17," "Guyute" and "Divided Sky" were performed by Trey on acoustic guitar accompanied by a Don Hart-conducted string quintet. The string quintet accompanied all of TAB for “Goodbye Head.” "Guyute" was the orchestral version. This setlist is unconfirmed as recordings of the performance do not circulate.

This two-night run at Webster Hall doubled as the record release party for Bar 17. Tom Marshall provided vocals on the TAB debut of “Skip the Goodbyes,” an Amfibian original. “Love Is Freedom” and “Divided Sky” were performed by Trey on acoustic guitar accompanied by a Don Hart-conducted string quintet. The string quintet accompanied all of TAB for “Goodbye Head.” “Divided Sky” was played as a birthday present for Trey’s mom, who was in attendance. The crowd subsequently sang “Happy Birthday” to her during the pause in the song. The string quintet returned to accompany the full band from “Shadow” through “Cincinnati.”

This single set performance was as the opening act for Tom Petty & The Heartbreakers. Trey sat in during Petty's set for "Mystic Eyes." This setlist is unconfirmed as recordings of the performance do not circulate.

This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.

This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.

This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.

This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.

This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.

This show was part of the Jazz Aspen Snowmass Festival. "Invisible" and "Brian and Robert" were performed as a trio with Trey on acoustic and Jen and Christina adding backing vocals. Trey performed "Waste" solo, acoustic.

This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.

This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.

This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.

This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.

This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.

This single set performance was as the opening act for Tom Petty & The Heartbreakers. This setlist is unconfirmed as recordings of the performance do not circulate.

This show featured the debuts of “If You’re Walking,” “Shadow” and “A Case of Ice and Snow.” “Burlap Sack,” Mr. Completely,” “Plasma,” “Cayman,” and “Simple Twist.” featured Russell Remington on saxophone. During “Heavy Things” Trey pointed out that the real Mary (from the song) was in attendance. “Low” contained a “Can’t You Hear Me Knocking” jam.

“Sleep Again” and “Wherever You Find It” were duets featuring Trey on acoustic and Ray on piano. “Invisible,” “Shine” and “Flock of Words” were performed by Trey on acoustic, Ray on piano and Jen and Christina on backing vocals. This show featured the debuts of “Dragonfly,” “Let Me Lie” and “Mud City.” “Mud City” was dedicated to everyone heading down to Jazz Fest. Russell Remington and Dave Grippo sat in for the second set and encore (excepting “Drifting”).

This performance was part of the Caribbean Cruise Getaway; it took place in A Chorus Line Theater. Bob Weir sat in on guitar and vocals for "Iko Iko."

SET 1: Bartender, Smooth Rider, Dancing Nancies, Jimi Thing, Too Much

SET 2: Dodo, Save Me, Stay or Leave, So Damn Lucky, Gravedigger, Up and Away, Get On The Boat, Trouble, Oh


This beach-side performance was part of the Caribbean Cruise Getaway. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey). Torrential rains forced this gig to end prematurely after "Oh."

SET 1: Shine


Trey and his band were the musical guests on The Late Late Show with Craig Ferguson. Trey was originally sheduled to appear on the show on December 12, 2005, but was bumped.

SET 1: Shine


TAB were the musical guests on The Tonight Show with Jay Leno.

The Hackensaw Boys opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Invisible” was performed by Trey on acoustic guitar with Jen and Christina on backup vocals. After “Invisible” (and continued after “Chalk Dust”) Trey talked about why he won't play “Fluffhead” on the acoustic guitar, despite it being heavily requested. Trey performed “Chalk Dust” through “Pebbles and Marbles” solo acoustic. “First Tube” included a "Ghostbusters" tease by the horn section. “Rubberneck Lions” and “Can't Stand Losing You” were TAB debuts and featured Stewart Copeland on drums and Raymond on percussion.

The Hackensaw Boys opened. Trey performed “Inlaw Josie Wales” through “LxL” solo acoustic. The keyword for “Makisupa” was “Gooball in my mouth.” During “Last Tube” Trey explained (mid-song) that, though he can’t surf, he has always wanted to, and “Last Tube” is his impression of what it would be like to catch the last wave of the day.

The Hackensaw Boys opened. Trey performed “Pebbles and Marbles” through “Bathtub Gin” solo acoustic. Jerry Harrison sat in on the TAB debut of “Roadrunner” (The Modern Lovers); Trey introduced Jerry as being in “two of the most important bands that came out of this country (Talking Heads and Modern Lovers). “Come Together” (The Beatles) was a TAB debut.

The Hackensaw Boys opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Bitch” (Rolling Stones) was a TAB debut. After “Sweet Dreams Melinda,” Trey apologized to Mick Jagger for screwing up the words to “Bitch.” “Waves” and “Loving Cup” were performed solo acoustic. “Invisible” was performed with Trey on acoustic and Jennifer and Christina providing backing vocals. After Invisible,” Trey scolded the audience for throwing things at him, not just at this show but over the course of the entire tour. “Iko Iko” (Dixie Cups), “GDTRFB” (Traditional), “Eyes,” and “Casey Jones” (Grateful Dead) all featured guest performances by Bill Kreutzmann and Mickey Hart and were TAB debuts. Prior to “Casey Jones,” Trey claimed he “just taught Tony this song.”

The Hackensaw Boys opened. A pre-recorded version of 70 Volt Parade was played over the P.A. as the band took the stage. Sample through Limb By Limb were performed solo acoustic, excepting Invisible and Sleep Again where he was joined by Jennifer and Christina providing backing vocals. Trey teased Stash in Simple Twist Up Dave.
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