Setlists Matching Performer: Andy Moroz

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Page was part of the "All-Star BeneFete Band" at this benefit for victims of Hurricane Katrina. This gig was originally scheduled for Battery Park, but was moved to the Memorial Auditorium due to rain. Other band members included Mark Ransom, Don Sydney, Chuck Eller, Brett Hughes, and Michael Chorney

This headlining performance was part of the Austin City Limits Music Festival. “Stash” was a TAB debut and was the first performance of the song with horns since Phish’s 7/27/91 gig with the Giant Country Horns.

These sets were part of the third annual Bonnaroo Music & Arts Festival. The first set featured Trey conducting the Nashville Chamber Orchestra except where noted; second set was electric TAB. "Prolgue" and "Coming To" were debuts. "Sing a Song" (Earth Wind & Fire) and "Devil Went Down to Georgia" (Charlie Daniels) were TAB debuts. “Flock of Words” featured Trey on acoustic guitar and vocals, Ray on piano and Jen on backing vocals. “The Inlaw Josie Wales” featured Trey on acoustic guitar. “Cincinnati” (intro) and “Discern” (intro) were performed by the TAB horn section only. “Secret Smile" featured Trey on electric guitar and vocals and Ray on piano. “First Tube” featured festival-closing fireworks.

This private performance was a surprise 50th birthday party for snowboard innovator Jake Burton Carpenter. A giant cake was cut during “Happy Birthday.” During “O-o-h Child,” Trey's youngest daughter came on stage and put a Hawaiian lei around his neck. There was a fireworks show between sets. “Night Speaks” included a “One Nation Under a Groove” (Funkadelic) jam. 

This show was billed as “The Vermont Easter Jam” and featured scheduled performances from The Unknown Blues Band, a duet with Jamie Masefield and Paul Asbell interpreting the music of Django Reinhardt, and the Grippo Funk Band. After these performances there was an unannounced set by TAB. Page sat in from “Small Axe” through “Chalk Dust.” Fish sat in from “Last Tube” through “Chalk Dust.” Mike joined in for “Sand” and “Chalk Dust.” During “Sand” members of Trey’s group gradually left the stage, leaving Phish alone to complete “Sand” and perform “Chalk Dust.” The cover of Stevie Wonder’s “Higher Ground” featured all the members of both Phish and Trey’s ensemble, Jamie Masefield, Seth Yacovone and others. This gig was a benefit for the Winooski Parks & Recreation Department, Burlington Women’s Rape Crisis Center, and the Child Life Department of Vermont Children’s Hospital.

Trey sat in on guitar for the beginning of the second set. Trey had performed earlier in the evening with Dave Matthews and Friends.

This was a headlining performance of the Burlington Discover Jazz Festival. Introducing the song “Cincinnati” Trey noted that: “it’s good to be here, and not in Cincinnati.” Before the second set there was a playful chant for “Ray! Ray! Ray!” who was the last to arrive on stage. Trey performed “The Inlaw Josie Wales” solo, acoustic.

Carlos Santana sat in on a second guitar for “Last Tube,” “The Way I Feel” and the entire second set. Portions of this show including Carlos Santana were officially released on the 2004 DVD Live at The Warfield. The traditional “John the Revelator” and the cover of The Beastie Boys’ “Root Down” were Trey Anastasio debuts. Though it lived in the Phish repertoire from 1990 to 1996, this show also marked the Trey Anastasio debut cover of Duke Ellington’s “Caravan.” "Night Speaks to a Woman" contained a "San-Ho-Zay" jam and "Moving in Stereo" teases from Jennifer Hartswick. "Caravan" included a "Manteca" tease.

Trey performed “The Inlaw Josie Wales,” “Secret Smile” and “Spices” solo, acoustic. The cover of Led Zeppelin’s “Dazed and Confused” was a TAB debut. At the end of the “Sweet and Dandy” encore Trey led the band marching through the crowd.

Warren Haynes sat in on a second guitar for “Gotta Jibboo” and “Sand.” This show featured the TAB debut of The Maytals' “Sweet and Dandy” and the debut of the Anastasio/Marshall original, “Undermind.” "Sand" contained an "Eleanor Rigby" tease.

The Anastasio/Marshall originals “Cincinnati,” “Secret Smile,” and “Spices” were all debuts; Led Zeppelin’s “Black Dog” was a TAB debut. Trey performed “Secret Smile” and “Spices” solo, acoustic. Mike appeared on stage with his Segway during “Push On ‘Til the Day” and performed in place of Tony on bass for “Black Dog.”

Night Speaks to a Woman included a section where Trey "conducted" the audience. This show featured the TAB debut of Magilla. Simple Twist Up Dave and Small Axe from this show are included on Trey’s live Plasma CD. Trey performed The Inlaw Josie Wales and Ray Dawn Balloon solo acoustic.

Happy Birthday was sung and then played for road manager Brad Sands. Other Halloween recognition included an on-stage jack-o-lantern, and Jennifer Hartswick sporting an amazing wig! Windora Bug included a Stash tease. Tops Off found Trey whipping off his shirt and whirling it around his head; the remainder of the show saw all band members fully clothed.

This gig was originally scheduled to take place at Utica’s Memorial Auditorium, and then was later rescheduled for the Stanley Performing Arts Center. This show featured the TAB debut of “Perhaps.” Throughout the evening plaster had been falling from the balcony; after “Mr. Completely,” Brad Sands made a brief appearance on stage, after which Trey announced that due to concerns about the balcony bouncing that the rest of the show would be performed acoustic. Before the encore, a member of the audience shouted “Free Bird!” While Trey declined to play the request, he offered two related stories: the first was about Trey and Fish on vacation in Greece and encountering a bunch of punks playing “Free Bird” on their boom-box; the second related how Phish had offered their a cappella rendition of “Free Bird” for a Lynyrd Skynyrd tribute album, but that it had been turned down. Trey then played “Pebbles and Marbles” solo, acoustic.

This gig was originally scheduled to take place at Portland’s Cumberland County Civic Center, and was later rescheduled for the smaller Portland Expo. This show marked the debut of “Travelling Song.” “Drifting” was preceded by the horn introduction to “Discern.” “Curlew’s Call” and “When” from this gig are included on Trey’s live CD, Plasma.

Spearhead’s Radioactive and Michael Franti joined Trey’s band for “Small Axe.” Page sat in on keyboards for “First Tube” in place of Ray. This show marked the debuts of “Javier Cinakowski,” “Chapeau Mauvais,” “Curlew’s Call” and the TAB debut of Cyro Baptista's "Forro for All." A portion of the proceeds from this show was designated to benefit Burlington City Arts.

This performance closed the main stage the final night of the 1st annual Bonnaroo Music Festival. “Wilson” and “Bathtub Gin” were performed by Trey solo, acoustic. The rendition of “Last Tube” from this gig appears on the Live from Bonnaroo 2002 CD.

The “Night Speaks to a Woman” from this show appears on Trey’s live CD, Plasma. Trey performed "Ray Dawn Balloon" and "Thunderhead" acoustic. The band ended the second set by forming a conga line marching off stage; they came back on stage for the encore in the same manner and reprised the ending of “Simple Twist Up Dave.”

The second set-closing “Sand” from this gig appears on Trey’s live CD, Plasma. Trey performed “Bathtub Gin” and “Chalk Dust Torture” solo, acoustic. Trey also played "Ray Dawn Balloon" acoustic.

This in-studio performance was a taping for Last Call with Carson Daly; the show first aired on June 24, 2002. “Alive Again” was played in it’s entirety; a small portion of “Push On ‘Til the Day” was played as they cut to commercial break, and they played the intro to “Money, Love and Change” as the ending show credits rolled.

“At the Gazebo” featured the Vermont Youth Orchestra String Quartet. During the break before the encore maracas and tambourines were passed out to the audience and a set of stairs was placed in front of the stage. During “Alive Again” approximately forty guests – including members of Cyro Baptista’s Beat The Donkey ensemble, Brazilian dancers and other assorted percussionists and pranksters – joined Trey’s band in what can perhaps best be described as a strange combination of two infamous Phish antics: the 10/22/96 MSG “Freakapaug” and the 5/27/94 “Shake your Macaroni” Possum. After the ending refrain and amid an audience-aided percussion jam, Trey led the entire entourage down the stairs in front of the stage, through the audience and onto 51st Street where a drum circle ensued, blocking midtown traffic for nearly half an hour.

Fish – introduced as “Johnny B. Funk” – sat in on a second drum kit for the entire show.

“The Inlaw Josie Wales,” “Flock of Words” and “At the Gazebo” featured the Vermont Youth Orchestra String Quartet. James Harvey sat in on a second trombone for “Mozambique.” "Ray Dawn Balloon" was performed by Trey (on acoustic) accompanied by only Tony and Cyro.

“Mike’s Groove” (both of which were TAB debuts) featured Mike on bass; “Mike’s Song” included a horn introduction, a trampolines segment, as well as an extended duet with Mike and Trey before the beginning of “Weekapaug.”

This show was originally scheduled to have taken place at the Saratoga Performing Arts Center in Saratoga Springs, NY, and then was later rescheduled for Albany’s smaller Palace Theatre. “Push On” included a “Lively Up Yourself” jam before “Windora Bug.” “Last Tube” featured band intros, and Trey running laps around the stage and performing the “Meatstick” dance.

The performance of Mozambique from this show appears on Trey’s live CD Plasma.  Trey teased The Sound of Music during and after Mozambique.

The rendition of “Plasma” from this gig appears on Trey’s live CD of the same name. Trey performed "Ray Dawn Balloon" acoustic.

“Wilson” was a Trey Anastasio debut, was incomplete, and, along with "Chalk Dust," was performed by Trey solo, acoustic. Trey also played "Ray Dawn Balloon" acoustic. “Alive Again” contained a “Stash” tease. The performance of “Every Story Ends in Stone” appears on Trey’s live CD, Plasma, as do sections of "Money, Love and Change" and "Mr. Completely" that appear under the title “Inner Tube.”

Spearhead (setlist), and then Los Lobos (setlist) opened; Trey sat in with both bands. Michael Franti provided lead vocals for “Small Axe.” “I Want to Take You Higher” featured Michael Franti, Steve Berlin, David Hidalgo, and Conrad Lozano and others from Spearhead and Los Lobos. Page capped off the evening of guest appearances, replacing Ray on keyboards for “First Tube” and “Bug.”

This gig was part of the Mountain Aire Music Festival that also included Les Claypool’s Flying Frog Brigade, Elvis Costello and the Imposters, Galactic, Particle, John Prine, Robert Randolph, and The Derek Trucks Band. “Cayman Review” featured Derek Trucks on guitar; “Night Speaks to a Woman” featured Derek Trucks on guitar and Les Claypool on bass. “In the Wee Wee Hours” featured the forty-four-piece Extra Action Marching Band.

Spearhead opened and Spearhead’s Michael Franti added lead vocals on Small Axe. The show featured the debut of Discern.

This gig featured the debut of “Night Speaks to a Woman” and "Thunderhead." "Thunderhead" featured Trey on acoustic guitar. Trey performed “Ray Dawn Balloon” solo, acoustic.

SET 1: Alive Again


Trey and his band were the musical guests on the Late Show with David Letterman. Dave briefly interviewed Trey after the performance.

This was a taping session for the nationally syndicated radio program Live at the World Café. “Money, Love and Change” was played by request for show host David Dye.

Big Joe Burrell and The Unknown Blues Band opened the show: Big Joe Burrell on vocals and sax, Tony Markellis on bass, Paul Asbell on guitar, Chas Eller on keyboards, Russ Lawton on drums; The Unknown Horns Section (Jennifer Hartswick on trumpet, Andy Moroz on trombone, Dave “The Truth” Grippo on alto sax and Russ Remington on tenor sax) performed on their final song.

“Mountains in the Mist” and “Bathtub Gin” were duets with Mike on electric bass and Trey on acoustic guitar. “Back on the Train” was a duet with both Mike and Trey on acoustic guitars.

Carl “Gears” Gerhard performed on trumpet for the entire show. Before the show started, Trey introduced Carl and noted that this gig was exactly ten years to the day since the last time the entire Giant Country Horns had performed together; the actual last performance of the GCH with Phish was July 27, 1991. The “Jam” in the second set was based on the theme that emerged out of the jam in “Jibboo.” Trey performed “Ray Dawn Balloon” and “Driver” solo, acoustic.

Happy Birthday was dedicated to lighting director Chris Kuroda. At a shade over 48 minutes, this Mr. Completely jam represented almost double the previously longest TAB jam to date.

John Medeski performed on keyboards for the entire show, in addition to regular TAB keyboardist Ray Paczkowski. Trey joined in as the third keyboardist for “Sand.” 

Soundcheck: Push on ‘Til the Day, Tube Top Flop, Simple Twist Up Dave, Money Love and Change, At the Barbeque, Nothing But an ‘E’ Thing, Sidewalks of San Francisco

SET 1: Push On 'Til the Day, Tube Top Flop, Acting the Devil, Small Axe, Simple Twist Up Dave, Nothing But an 'E' Thing, Cayman Review, Last Tube

SET 2: Moesha > Quantegy, Burlap Sack and Pumps [1], Money, Love and Change, Flock of Words, Mr. Completely, At the Gazebo, Drifting

ENCORE: First Tube


John Medeski performed on keyboards for the entire show; regular TAB keyboardist Ray Paczkowski did not perform at this gig. During “Last Tube,” Trey thanked the audience, calling Alpine Valley “the best place to play in the whole world.” “Burlap Sack and Pumps” contained an extended (~five minute) jam with just Trey and John Medeski.

Trey performed “Ray Dawn Balloon” and “Bathtub Gin” solo acoustic. “Moesha” contained the following added lyrics: “Moesha me down, Moesha me up, Moesha me Avalanche, Moesha me cup, Moesha me rocks, Moesha me red, Moesha me live, Moesha me dead, Moesha me straight, Moesha me gay, Moesha me Jerry, Moesha me Trey.”

During “Samson Variation” Trey playfully chided Andy Moroz, who had to run back to the band room to get his music for the song; Trey suggested that the audience focus in on the trombone part to make sure it is perfect. This gig featured the debut of “Plasma,” that Trey said was written backstage that very day.

After “Money, Love and Change” Trey offered his thanks to the audience “for supporting the important cause of new music” and supporting their performance of an almost entirely new repertoire. Tony started “Push On ‘Til the Day” by playing “Sand” instead.

Trey dedicated “Last Tube” to the surfers catching the “last tube” of the day. This show marked the debut of “When.”

Seth Yacovone Band opened. This show was quasi-stealth and announced only 24 hours in advance. Though members of Trey’s summer touring ensemble, Russell Remington and Ray Paczkowski were absent from this one show. “Alive Again,” “Cayman Review,” “Every Story Ends in Stone,” “Flock of Words,” “Mr. Completely,” “Moesha,” “Money, Love and Change,” “Quantegy,” and “Simple Twist Up Dave” were all debuts.  Trey humorously mis-identified the debut of “Every Story Ends in Stone” as “Every Story Has a Stone.” Before “At the Gazebo” Trey told of watching that morning’s Forth of July parade and having a fantasy about taking the TAB horns section on a float, moving along and playing this song.

Trey dedicated “Come on Baby Let’s Go Downtown” to his friends Chris and Kevin. Trey performed “Back on the Train” and “Bathtub Gin” solo, acoustic. This second Fox Theatre show was not originally scheduled as part of the tour; it was added the day before, with tickets going on sale at midnight the day before the gig. “Sand” included extended thanks from Trey to Paul, the crew, and the fans.

Joey Sommerville added an extra trumpet from “Burlap Sack and Pumps” through “Mellow Mood.” During “Last Tube” Tony announced that since they were having such a great time on tour that TAB would play again the next night and that tickets would go on sale at midnight. 

The Phish original “Quadraphonic Toppling” and The Beatles’ “Strawberry Fields Forever” were TAB debuts. Trey performed “Strawberry Fields Forever” and “Back on the Train” solo acoustic. “Ray Dawn Balloon” was an acoustic duet with Trey and Tony.

The band marched in through the crowd wearing marching band uniforms for the opening “When the Saints Come Marching In,” which was a TAB debut. Trey and Tony were on acoustic for "Happiness In My Pants" with Russ. Trey performed “Mountains in the Mist” solo acoustic. THe debut of “Sweet Dreams Melinda” was introduced by it’s original name, “Til I Met You.” Mike sat in for the entire encore. Mike and Trey only performed on ”Hard Hearted” (a TAB debut) and “Possum,” both on acoustic guitars. Following the TAB debut of “Yellow Submarine,” the crowd continued to sing the chorus as the entire band marched out the same way they came in.

The TAB debut of “The Landlady” contained an instrumental intro section. Dave Matthews performed on “Everyday” through the end of the show; this was the debut performance of “Everyday” by Trey or Dave. Both Trey and Dave performed “Everyday” and “Three Little Birds” on acoustic guitar; Trey also played acoustic on “At the Gazebo” and solo acoustic on "Strange Design." “Three Little Birds,” “Whatever Gets You Through the Night” and “I Want to Take You Higher” were TAB debuts.

Stevie Wonder’s “Signed Sealed Delivered, I’m Yours,” the instrumental version of Bob Marley’s “Small Axe,” and Trey’s original “Nothing but a ‘G’ Thing” were all TAB debuts. “Nothing But an 'E' Thing” was dedicated to Trey’s dad. Trey performed “Ray Dawn Balloon” through “Strange Design” solo acoustic. While tuning before “Driver” Trey noted his two “tuning heroes” – Leo Kottke, and “the greatest tuner ever,” Jimi Hendrix.

TAB were the musical guests on Late Night with Conan O’Brien. After “Push On ‘Til the Day,” Conan thanked the band, which then played the first few bars of “Tube Top Flop” as the show cut to commercial.

Trey played on acoustic guitar with the full band on “At the Barbeque” and “At the Gazebo”; Trey performed “Back on the Train” solo, acoustic. Trey and Tony were on acoustic with Russ for "Happiness In My Pants." Page sat in playing Trey’s keyboard on “First Tube” and the encores, and added vocals on “Will it Go Round in Circles?”

Covers of Professor Longhair’s “In the Wee Wee Hours,” Bob Dylan’s “Rainy Day Women #12 and 35” and Bob Marley’s “Mellow Mood” were TAB debuts, as were the Trey originals “Happy Coffee Song” and “Nothing But an ‘E’ Thing.” "Gotta Jibboo" contained "Burlap Sack and Pumps" teases. Trey performed “Guyute” solo acoustic. The “Happy Coffee Song” was dedicated to sound engineer Paul Languedoc. "At the Gazebo" also featured Trey acoustic.

This tour opening performance included the debuts of “Acting the Devil,” “At the Barbeque,” “At the Gazebo,” “Burlap Sack and Pumps,” “Drifting,” “Ether Sunday,” “Noodle Rave Daddio,” “Push On ‘Til the Day,” “Sidewalks of San Francisco,” “The Way I Feel,” “Tube Top Flop” and “Ray Dawn Balloon,” as well as the TAB debuts of “I Done Done It” (Billy Barton) and “It Makes No Difference” (The Band). Trey performed "Back on the Train" and "Ray Dawn Balloon" solo acoustic. Trey and Tony played acoustic on “Happiness in My Pants” (with Russ) and “At the Gazebo” (with horns). This show marked the first TAB performance with horns.
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